Prostitutes of Mirth Examining Sex Work in Angela Carter's Nights at the Circus It takes an essayist like Angela Carter to make associations between carnival comedians and whores. Her tale, Nights at the Circus, delineates both, and they are demonstrated to be more comparable than one may initially envision. In Nights at the Circus, Carter utilizes carnivals and monstrosity appears as images for the stratagem important in sex work done out of distress an exhibition that is innately corrupting to the person who works for the joy of another. She composes of a few characters from a half-swan trapeze artist to a man with no mouth to a bazaar jokester who, with no better choices, become living scenes; through awesome individuals like these she can portray troubling certainties about genuine sex work. The book's first area gives the backstory of Sophie Fevvers, an as far as anyone knows half-swan trapeze craftsman who experienced childhood in a house of ill-repute.
